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Rising trot is the heartbeat of school work. Get the rhythm right and balance, straightness and suppleness become easier. Get it wrong and the trot becomes hurried or uneven. Trot is a two-beat rhythm: you rise on one diagonal pair and sit on the other. Many riders rise too fast or too slow, losing the horse's natural tempo.
Count "up, down" out loud or in your head. Your rise should respond to the horse's push, not be a separate action. Ride over two ground poles on a 20-metre circle to feel the even spacing. Aim for a steady, unforced tempo. If your horse rushes, half-halt on the sit – never pull on the reins. Your body controls the rhythm.
Balance is rhythm's quiet partner. Without it, you grip with your knees, lean forward, or use the reins for support. For flatwork, let your stirrups down a hole or two from jumping length. A longer leg gives a deeper seat. Your thigh should feel long and flat, knee relaxed, weight dropping through your heels without jamming them down.
Think of a string pulling your breastbone up while your lower back stays soft. Rise from the horse's thrust, controlled by thigh and core. Do not push up with your stirrups or pull on the reins. Ask an instructor to lunge you without reins to find your balance. Breathe steadily – tension travels down the reins.
A quiet lower leg marks an effective rider. When your leg swings, you nag your horse, and he will tense or ignore you. The lower leg should be draped around his side, making soft, consistent contact. Imagine your calf as a wet cloth – it moulds without gripping.
If your leg swings, check three things. First, stirrup length: too long loses balance, too short makes you pinch. Second, knee angle: gripping pushes the lower leg away. Third, thigh: think of it as the anchor. Rise from the thigh, keeping the lower leg still. Apply aids with a gentle squeeze, then relax. A quiet leg is a happy horse, and a happy horse swings through his back.
Use figures that challenge rhythm and balance without overfacing you. A 20-metre circle is classic. Ride it in rising trot, counting strides. Check you are on the correct diagonal – when the outside shoulder is forward, you should be up. Change the rein across the diagonal and notice if your rhythm falters. Serpentines with three loops keep the horse supple while you maintain a steady beat.
Transitions are useful: walk to trot to walk, trot to halt to trot. Each tests your balance without gripping. Ground poles on the centre line help you feel the stride. For a challenge, try a few strides of sitting trot through a transition, then return to rising. If possible, book a lunge lesson without stirrups – humbling but transformative.
Improving your rising trot takes weeks, not minutes. Work in short bursts – twenty minutes of focused trot work is plenty. Reward every try and end on a good note. If your horse is tense or rushing, check saddle fit and back comfort before blaming your riding. A well-fitting saddle and a sound horse are foundations.
School work is not an end in itself. The balance and rhythm you build in the arena carry over to happy hacking and confident jumping. Your horse will become more responsive to a quiet lower leg and less tired after a session. That is the real reward: a partnership that feels effortless. Take your time, breathe, and enjoy the journey.
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Start with short, familiar routes and gradually add distance or busier lanes as your horse relaxes and listens.
Thomas A. Edison
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Ground poles encourage horses to lift their feet, improve stride length and develop core strength without jumping regularly.
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